The traffic between storytelling and metaphysics is continuous.

— John Berger



Nabokov on the Poet's Organic Miracle

Am currently reading Nabokov's Pale Fire and was struck by the narrator's admiration of the fictitious poet John Shade:

I am witnessing a physiological phenomenon: John Shade perceiving and transforming the world, taking it in and taking it apart, re-combining its elements in the very process of storing them up so as to produce at some unspecified date an organic miracle, a fusion of image and music, a line of verse. And I experienced the same thrill as when in my early boyhood I once watched across the tea table in my uncle's castle a conjurer who had just given a fantastic performance and was now quietly consuming a vanilla ice. I stared at his powdered cheeks, at the magical flower in his buttonhole where it had passed through a succession of different colors and had now become fixed as a white carnation, and especially at his marvelous fluid-looking fingers which could if he chose make his spoon dissolve into a sunbeam by twiddling it, or turn his plate into a dove by tossing it up in the air ... Shade's poem is, indeed, that sudden flourish of magic: my gray-haired friend, my beloved old conjurer, put a pack of index cards into his had - and shook out a poem.

What Ought Not, Czeslaw Milosz

Beyond the Commonplace: Tallgrass Prairie National Preserve, Flint Hills, Kansas